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- Tante Inge
- Mensajes: 635
- Registrado: 22-09-2004 22:14
Heinrich Albert (1604-1651)
und Lieder von Liebe und Tod
(Musical "Kürbishütte" and songs from love and death)
Cantus Cölln - Konrad Junghänel
01. Musikalische Kürbishütte
02. Was klagt man der Gerechten Seelen
03. Gott des Himmels und der Erden
04. Wer wegen seiner Sünden
05. Der Tag beginnet zu vergehen
06. Bleib du nur fest
07. Wie ist der Mensch doch so betört
08. Das Leid ist hier
09. Wer das Alter schätzt erhaben
10. Der Main, des Jahres Herz, beginnt
11. O der rauhen Grausamkeit
12. Phöbus jagt mit seinen Pferden
13. Es bild ein Mensch ihm niemals ein
14. Phyllis, o mein Licht
15. O du aller Wohlfahrt Quell
16. Galathe, wo bist du doch gewesen
17. Phyllis, die auf Blumen sass
ADD, 67:50, Deutsche Harmonia Mundi HM/IOM 906-2, 1990.
(Anthologie of East-Germany Music)
(Lobenstein, 1604-Königsberg, 1651) Compositor, organista y poeta alemán. Primo y discípulo del compositor H. Schütz. Fue uno de los creadores del lied alemán. Dejó ocho colecciones de canciones a una y varias voces. Su música, de estilo barroco, impuso en Alemania la monodia italiana."
(July 8, 1604–October 6, 1651) was a German composer and poet. He began studying music with in 1622 with his cousin, the great composer and musician Heinrich Schütz, in Dresden. He then went to study law in Leipzig; however, he continued to compose arias. In 1627 he set out for Warsaw with some Dutch diplomats, but they were taken prisoner by the Swedes, and he was held for a year. When he returned in 1628, he was involved in "the science of fortification". By 1630 he had returned to being a musician in Königsberg, and in 1643 he renewed contact with Schütz.
His most important works are probably the 170 songs published in his Arien in eight volumes. They include detailed dedications which give important information on daily life in Königsberg. He set both his own poetry and that of Simon Dach. His songs were very popular, and at least 25 of them became chorale tunes. The prefaces to his works are also valuable sources for information on the playing of basso continuo and performance practice of the songs included. One comment he made was that one should not play continuo "like hacking a cabbage"
EAC, APE & Cue, normal compression, Rar (store) 273 MB, Complete cover and booklet scan.
My next release will be:
Music for a viol
Wieland Kuijken, viola da gamba
Sigiswald Kuijken, viola da gamba and violin
Robert Kohnen, harpsichord
Christopher Simpson (ca. 1615 - 1669):
1 Divisions on a Ground in G major for two bass-viols
2 Divisions on a Ground in F major for two bass-viols
John Jenkins (1592 - 1678):
3 Fantasia a violino e viola in g minor
Matthew Locke (ca. 1630 - 1677):
"Duos for two basse-Viols, composed in 1652" in C major
"Duos for two basse-Viols, composed in 1652" in c minor
"The Division Viol"
10 Divisions on Ground in e minor
11 Fantasia a violini e viola in d minor
Thomas Ford (1580 - 1648):
Musicke of Sundrie Kindes" (1607)
12 Pavan (M.Maines Choice) and Galiard
13 The Baggepipes (Sir Ch. Howards delight)
14 Why not here (M. Crosse his choice)
DDD, 49:00, Accent ACC 68014, 1994.
- Aprendiz de Músico
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